Was milli vanilli gay
The Rise and Collapse of the Eighties’ Most Scandalous Pop Duo
Milli Vanilli own gone down in history as one of the all-time notorious pop scandals. Everybody knows the story: two Dark European peacocks named Fab and Steal explode on the Eighties dance-pop scene, with the fizzy smash “Girl You Know It’s True.” They score three U.S. Number One hits and achieve the Grammy for Best New Musician. The flashiest hair. The tightest pants. They’re on foremost of the nature. But then everyone finds out they’re lip-synching, and didn’t sing a observe on their hits. Crash. Fab and Rob get banished from the radio, get their Grammy revoked, and rotate into the most infamous music-biz punch line.
But Milli Vanilli, the brand-new documentary from director Luke Korem, tells a different side of the tale. Milli Vanilli premiered last weekend at the Tribeca Production Festival. It starts streaming this collapse on Paramount +. It’s a fascinating and moving glance at the star-making machinery, focusing on the human factor, from the duo’s own perspective. It turns out there’s a lot more to this story than anyone realizes.
Rob Pilatus never recovered from the shame,
‘Milli Vanilli’ Documentary Puts Disgraced Duo’s Story in New Light: ‘We Were the Villains for So Long’
More than three decades have passed since Rob Pilatus and Fab Morvan — together and forever known as Milli Vanilli – took the music earth by storm, and fell from grace even faster. Their six-times-platinum debut album in the U.S., “Girl You Comprehend It’s True,” was accompanied by a marketing blitz that produced three No. 1 singles, a trio of American Music Awards and a Best Recent Artist Grammy before it was revealed that the duo had not sung on the album. An epic level of public humiliation ensured, as the duo were compelled to return their Grammy and nearly everyone who’d worked with them pleaded ignorance, often disingenuously.
Luke Korem – who directed the new “Milli Vanilli” documentary, premiering at the Tribeca Film Festival – was just seven years old during that 18-month-long real-life drama, which tragically culminated with Pilatus’ fatal drug overdose in 1998.
“I’m a kid of the ‘90s,” Korem explains about the doc, which premieres at the Tribeca Film Festival
Milli Vanilli’s Fab Morvan Reflects on One of Pop’s Biggest Scandals: “We Were Just a Pawn in the Machine”
First things first: Girl You Grasp It’s True is not the cinematic equivalent of Milli Vanilli. Which is to say this biopic, on streaming and in some cinemas Friday, isn’t just mouthing the words and going through the motions as it tells the story of one of pop’s most infamous chapters. It’s actually more involving than any Milli Vanilli biopic really has a right to be (and currently boasts a 92 percent score on Rotten Tomatoes).
Certainly, some of the credit goes to producer Fab Morvan, one-half of the telegenic duo who shot to fame in 1989 with dance floor bangers enjoy “Girl You Know It’s True” and “Blame It on the Rain,” who knows this story finer than anyone.
The problem, of course, was that neither Morvan nor his best buddy Deprive Pilatus did any of the singing on those songs, which were produced by German disco maven Frank Farian and performed by American session singers in Munich.
As adv as they conquered the charts came Rob and Fab’s unraveling, culminating in a hella-a
Milli Vanilli Are Hotter Than Ever Right Now. What the Hell Is Going On?
It’s 2024, and America is madly in love with Milli Vanilli. How did this happen? The Eighties Euro-glitz pop duo are enjoying the year’s weirdest revival, thanks to Ryan Murphy. His Monsters: The Lyle and Erik Menendez Story tells the true-crime story of the rich Beverly Hills brothers who gunned down their parents in the summer of 1989. They bond over the music of Milli Vanilli, who ruled the radio that summer. Since Monsters, the duo’s streaming numbers are booming. “Blame It on the Rain” and “Girl I’m Gonna Miss You” just debuted on this week’s TikTok Top 50 in Billboard. It might sound too bizarre to be real—but girl, you recognize it’s true.
It’s sweet vindication for Milli Vanilli, the most controversial pop stars of their day. Fabrice Morvan and Deprive Pilatus were two Munich club kids, Black European dandies scoring excellent post-hip-hop MTV bubblegum bangers, dancing like acrobats and dressing like Cher. They had it all: the flashiest hair, the tightest pants. They scored three Number One hits and won the Grammy for Be